The Past Nine Years In San Diego

There Would Seem To Be A Limit, Even For An Art Preoccupied With Boundaries And Transgressions, Beyond Which A Work Reaches Its Breaking Point And Becomes An Actual Failure, A Mere Experimentation.

As A Necessary Prerequisite To The Creation Of New Forms Of Expression One Might, I Suppose, Argue That Current Sensibilities Respond Uniquely To The Notion Of Exhaustion As Exhaustion, Although That Does De Facto Seem Rather Limiting.

Hence My Obstinate Emphasis On Stylistic Continuity From Work To Work Rather Than Specific Sibling Relationships Between The Individual Work And Other Members Of Its Stylistic 'family' In The World Outside.

The Past Nine Years In San Diego Have Represented Such A Period Of Questioning.

The Idea Of 'machine Assemblage' Is, Especially, Very Alien To My Sensibility, Since It Suggests A Relative Indifference Of The Strata To One Another During The Process Of Construction.