I Get Invited To An Awful Lot

I Have Come Close To Producing Films. But Generally By The Time They Hit The Screen, There's About 50 People With Producer Credits, So What's The Point. I Usually Find Scripts I Like With No Money Attached And Take Them To Producers That I Know And Try To Raise Finance.

There Just Seems To Be More Acceptance Now Of Other Kinds Of British Films, Than The Picture-postcard Ones.

Certainly Coming To America Has Been Extraordinary.

I Think Every Director Has A Different Take, Some Are Good, Some Are Bad. The Directors You Get On Best With Sometimes Don't Make The Best Films, So Who's To Say Who Is Right?

I Love The Idea Of Messing Around With Different Mediums.