I Always Start A Painting With The

The Animation Of The Canvas Is One Of The Hardest Problems Of Painting.

The Motif Must Always Be Set Down In A Simple Way, Easily Grasped And Understood By The Beholder. By The Elimination Of Superfluous Detail, The Spectator Should Be Led Along The Road That The Artist Indicates To Him, And From The First Be Made To Notice What The Artist Has Felt.

Every Picture Shows A Spot With Which The Artist Has Fallen In Love.

I Like All Those Painters Who Loved And Had A Strong Feeling For Nature.

I Always Start A Painting With The Sky.