You're One Microscopic Cog In His Catastrophic

I Feel Like I've Spent The Last Five Years Of My Life On The Road. It Hasn't Affected My Songs But It's Probably Affected Everything Else About Me. Obviously, The More You Travel, The Wilder The Things That Keep Happening To You, The More Likely It Is You'll Get Complete Strangers Knocking On Your Hotel Room Door.

The Actualising Of God Through The Medium Of The Love Song Remains My Prime Motivation As An Artist.

Love Songs Come In Many Guises And Are Seemingly Written For Many Reasons – As Declarations Or To Wound – I Have Written Songs For All Of These Reasons – But Ultimately The Love Songs Exist To Fill, With Language, The Silence Between Ourselves And God, To Decrease The Distance Between The Temporal And The Divine.

Songwriting, I Have To Take Myself Away From Everybody To Do. It's An Unsightly Act.

What I Think About When I Frequent The Museum Of Natural History, The Metropolitan [museum Of Art], And I Look At These Artifacts That Are Taken Out Of Context And How We're Forced To View Them As Objects, As Relics, As Sculpture- Static. But What's Interesting Is What It Allows Me To Do In My Head In Terms Of Imagining What The Possibilities Are Or Imagining The Role In Which They Played Within A Particular Culture Which I'm Fascinated By.