Women Are Strangers In The Country Of

Woman Has Two Works To Perform: A Work Of Differentiation, Of Man From Herself, And A Work Of Unification, Of Man With Herself. ... We, Woman, Are Now Entering Upon Our Second Work.

The Rhythmic Pattern Of The Poem, Which Forces Continuity Of Attention - Incites A Pleasurable Compulsion To 'follow' - Is Either A Tried Metrical Suasion-contrivance Or A Specially Invented Pattern Of Physical Insistences, Equally, If Not More, Binding In Its Effect On The Reader. From A Straight Linguistic Point Of View, There Is Room For Wonder If There Is Not Latent Vice In This Environment In Which Pleasurable Physically-compelled Responses, Produced By Incidents Of Poetic Utterance, Are Identified With The Good.

We Shall Know That We Have Begun To Speak True By An Increased Hunger For True-speaking; We Shall Have The Whole Hunger Only After We Have Given Ourselves The First Taste Of It.

Learning Can Be A Bridge Between Doing And Thinking. But Then There Is A Danger That The Person Who Uses Learning As A Bridge Between Doing And Thinking May Get Stuck In Learning And Never Get On To Thinking.

What Second Love Could She [olympias] Make Out Of Her Ruined First Love? The Second Love That Most Women Make Out Of Their First Love For Husbands Grows From A Mutual And Tacit Sadness In Both Husband And Wife That He Is Only In Rare Moments The Man Both Would Like Him To Be.