There Is No Such Thing As Good

A Picture Lives By Companionship, Expanding And Quickening In The Eyes Of The Sensitive Observer. It Dies By The Same Token. It Is Therefore Risky To Send It Out Into The World. How Often It Must Be Impaired By The Eyes Of The Unfeeling And The Cruelty Of The Impotent.

I'm Not An Abstractionist. I'm Not Interested In The Relationship Of Color Or Form Or Anything Else. I'm Interested Only In Expressing Basic Human Emotions: Tragedy, Ecstasy, Doom, And So On.

The Picture Must Be... A Revelation, An Unexpected And Unprecedented Resolution Of An Eternally Familiar Need.

The Reason For My Painting Large Canvases Is That I Want To Be Intimate And Human. To Paint A Small Picture Is To Place Yourself Outside Your Experience, To Look Upon An Experience As A Stereopticon View Or With A Reducing Glass. However You Paint The Larger Picture, You Are In It. It Isn't Something You Command.

We Favor The Simple Expression Of The Complex Thought. We Are For The Large Shape Because It Has The Impact Of The Unequivocal. We Wish To Reassert The Picture Plane. We Are For Flat Forms Because They Destroy Illusion And Reveal Truth.