The Sacred Pint Alone Can Unbind The

The Heaventree Of Stars Hung With Humid Nightblue Fruit.

Michael Robartes Remembers Forgotten Beauty And, When His Arms Wrap Her Round, He Presses In His Arms The Loveliness Which Has Long Faded From The World. Not This. Not At All. I Desire To Press In My Arms The Loveliness Which Has Not Yet Come Into The World.

The Personality Of The Artist, At First A Cry Or A Cadence Or A Mood And Then A Fluid, And Lambent Narrative, Finally Refines Itself Out Of Existence, Impersonalises Itself, So To Speak. The Aesthetic Image In The Dramatic Form Is Life Purified In And Reprojected From The Human Imagination. The Mystery Of Aesthetic Like That Of Material Creation Is Accomplished. The Artist, Like The God Of The Creation, Remains Within Or Behind Or Beyond Or Above His Handiwork, Invisible, Refined Out Of Existence, Indifferent, Paring His Fingernails.

The End He Had Been Born To Serve Yet Did Not See Had Led Him To Escape By An Unseen Path And Now It Beckoned To Him Once More And A New Adventure Was About To Be Opened To Him.

Gentle Lady, Do Not Sing Sad Songs About The End Of Love; Lay Aside Sadness And Sing How Love That Passes Is Enough. Sing About The Long Deep Sleep Of Lovers That Are Dead, And How In The Grave All Love Shall Sleep: Love Is Aweary Now.