The Past Does Not Influence Me; I

I'm Not Interested In 'abstracting' Or Taking Things Out Or Reducing Painting To Design, Form, Line, And Color. I Paint This Way Because I Can Keep Putting More Things In It - Drama, Anger, Pain, Love, A Figure, A Horse, My Ideas About Space. Through Your Eyes It Again Becomes An Emotion Or Idea.

The Point They (lissitzky, Rodchenko, Tatlin, Gabo, The Neo-plasticists, And So On) All Had In Common Was To Be Inside And Outside At The Same Time. For Me, To Be Inside And Outside Is To Be In An Unheated Studio With Broken Windows In The Winter, Or Taking A Nap On Somebody's Porch In The Summer.

Style Is A Fraud. I Always Felt The Greeks Were Hiding Behind Their Columns.

When, About Fifteen Years Ago, I Walked Into Arshile's Studio For The First Time, The Atmosphere Was So Beautiful That I Got A Little Dizzy And When I Came To, I Was Bright Enough To Take The Hint Immediately. If The Bookkeepers Think It Necessary To Make Sure Of Where Things And People Came From, Well Then, I Came From 36 Union Square. I Am Glad That It Is About Impossible To Get Away From His Powerful Influence.

An Artist Is Someone Who Makes Art... He Didn't Invent It.