My Hand Trembles, My Heart Does Not.

I Directed 24's Pilot. I Felt We Should Follow The Characters Around As If We Were A Documentary Crew, Using Available Light, Hand-held Cameras, Split Screens, Sound That Isn't Always What It Should Be, To Suit The Reality Of The Premise.

To Be Able To Rely Completely On The Actors Was A Very Simple Process For Me.

I Have An Adult Emotional Life And An Editing System Inside Me Which Prevents Me From Being Preposterously Stupid.

Each Environment Has Its Own Signature. Sound Tells A Story: You Make Choices About What You're Hearing, Where To Look, How You Want To Feel About What's Going On.

I Had A Birthday One Night On A Farm We Were Shooting On. I Walked Into The Tent, And There Were 150 People Waiting For Me, All Wearing Masks Of My Face.