Music Has Always Been Transnational.

But An Innovation, To Grow Organically From Within, Has To Be Based On An Intact Tradition, So Our Idea Is To Bring Together Musicians Who Represent All These Traditions, In Workshops, Festivals, And Concerts, To See How We Can Connect With Each Other In Music.

The Worst Thing You Can Do Is Say To Yourself, "i Want To Be Just Like Somebody Else." You Have To Absorb Knowledge From Someone Else, But Ultimately You Have To Find Your Own Voice.

I Think The Purpose Of A Piece Of Music Is Significant When It Actually Lives In Somebody Else. A Composer Puts Down A Code, And A Performer Can Activate The Code In Somebody Else. Once It Lives In Somebody Else, It Can Live In Others As Well.

There Are Limits To How Much Sound A Cello Can Make. That's Part Of The Framing Of Acoustical Instruments. Finding What Those Limits Might Be, And Then Trying To Suggest Perhaps Even The Illusion Of Going Beyond Is Part Of That Kind Of Effort.

Practicing Is Not Only Playing Your Instrument, Either By Yourself Or Rehearsing With Others - It Also Includes Imagining Yourself Practicing. Your Brain Forms The Same Neural Connections And Muscle Memory Whether You Are Imagining The Task Or Actually Doing It.