Like The Man Said, Can Happiness Buy

It's A Passion When You're Doing It For Other People And You're Doing It For The People Around You Making The Film And The People Who Are Going To See The Film, And The Giving. When You Start Thinking About You Doing It For Some Sort Of Self-gain, Then I Think It Becomes An Obsession. It Becomes A Negative Experience.

The Reality Of The Final Moment, Just Before Shooting [the Scene], Is So Powerful That All Previous Analysis Must Yield Before The Impressions You Receive Under These Circumstances, And Unless You Use This Feedback To Your Positive Advantage, Unless You Adjust To It, Adapt To It And Accept The Sometimes Terrifying Weaknesses It Can Expose, You Can Never Realize The Most Out Of Your Film.

The Feel Of The Experience Is The Important Thing, Not The Ability To Verbalize Or Analyze It.

From The Very Beginning, All Of My Films Have Divided The Critics. Some Have Thought Them Wonderful, And Others Have Found Very Little Good To Say. But Subsequent Critical Opinion Has Always Resulted In A Very Remarkable Shift To The Favorable. In One Instance, The Same Critic Who Originally Rapped The Film Has Several Years Later Put It On An All-time Best List. But Of Course, The Lasting And Ultimately Most Important Reputation Of A Film Is Not Based On Reviews, But On What, If Anything, People Say About It Over The Years, And On How Much Affection For It They Have.

The Best Education In Film Is To Make One