I've Always Been Very Tied To Language.

... The Thing That's Happening Today Vis-á-vis Computer Imaging, Vis-á-vis Alteration, Is That It No Longer Needs To Be Based On The Real At All. I Don't Want To Get Into Jargon - Let's Just Say That Photography To Me No Longer Pertains To The Rhetoric Of Realism; It Pertains More Perhaps To The Rhetoric Of The Unreal Rather Than The Real Or Of Course The Hyperreal.

Doubt Tempers Belief With Sanity.

The Different Aspects Of My Activity, Whether It's Writing Criticism, Or Doing Visual Work That Incorporates Writing, Or Teaching, Or Curating, Is All Of A Single Cloth, And I Don't Make Any Separation In Terms Of Those Practices.

I Think That The Exactitude Of The Photograph Has A Sort Of Compelling Nature Based In Its Power To Duplicate Life. But To Me The Real Power Of Photography Is Based In Death: The Fact That Somehow It Can Enliven That Which Is Not There In A Kind Of Stultifying Frightened Way, Because It Seems To Me That Part Of One's Life Is Made Up Of A Constant Confrontation With One's Own Death.

If Most American Cities Are About The Consumption Of Culture, Los Angeles And New York Are About The Production Of Culture - Not Only National Culture But Global Culture.