I Want All Of My Films To

Marketing Has Supplanted Story As The Primary Force Behind The Worthiness Of Making A Film, And That's A Very Sad Thing. It's Film Only As A Function Of Consumerism Rather Than As An Important Component Of Our Culture, And That's Everywhere Around The World.

I Could Never Be A Part Of An Adaptation Of A Film Where There's Pressure To Not Disappoint The Immense Fan Base. In Those Cases, They Often Wind Up With Filmed Books On Tape, Quite Uncinematic. Having Said That, I'd Say All The Adaptations I've Done Are Quite Faithful To The Original... You Have To Pick And Choose Which Storylines And Plot Threads, Because You Don't Have The Time To Kill In The Film As They Have In Novels. All Those Pages With Detours And Plots And Different Storylines. But Films Add A Lot, And You Gotta Keep It Moving.

I Don't Think So Much About Verbal Comedy. I Always Think About Visual Comedy. I Was Raised Watching Silents, And I'm Always Thinking About How To Make Cinema, Not Good Talking - Although I Want Good Talking. I'm Much More Interested In Framing, Composition, And Orchestration Of Bodies In Space, And So Forth. My Goal Is Always What Chuck Jones Wanted His Warner Brothers Cartoons To Be, Which Was If You Turn Down The Sound, You Could Still Tell What's Going On. I Think If You Watch Most Of My Films With The Sound Off, You Could Still Tell What's Going On.

Joe E. Lewis Said, 'money Doesn't Buy Happiness But It Calms The Nerves.' And That Is How I Feel About A Film Being Well-received.

Forgiving Yourself May Be For Many People, At Least For Myself, Extremely Difficult. And Then In A Larger Context, I Will Say That I'm Constantly Astonished By Those Who Pray Daily, "forgive Me My Sins As I Forgive Those Who Sin Against Me," And Beat Very Loudly The War Drum.