I'm A Very Good Screamer, That's For

I Was With Brian De Palma At The Time, And He Said He Wrote The Role Specifically For Me. I Don't Know What That Says About The Way He Saw Me, Since The Role Was Of A Castrating Killer. Brian Came One Morning To The House, Said "here's Your Christmas Present." He Wrote The Character To Have A Swedish Accent, But Since I Couldn't Pull That Off, He Switched It To French-canadian. It Was Such A Romantic Time In My Life. Everyone Was Young And Passionate And Convinced They Were Going To Change Film Forever.

We Were Sweet, Lovely People Who Wanted To Throw Out All The Staid Institutions Who Placed Money And Wars Above All Else. When You're Young You Think That's How Life Works.

There's A Lot Of Bullshit In Peter Fonda's Autobiography. A Great Deal Of It Is Complete Fabrication.

I Do Remember When I First Read The Script Of The 92 In The Shade. I Was In The House At Nicholas Beach, And That Gang Was Starting To Break Up, And I Read This Terribly Well-written Dialogue, Not Figuring Out That Films Are About Structure And The Thing Was Totally Unstructured, And I Thought, "who Is This Writer? God, He's Great."

I Remember When We Were Doing The Love Scene In Some Kind Of Hero, We Got In Bed Nervously. Then He Looked Up, And It Was Very Genuine, And He Went, " Richard Pryor's In Bed With Lois Lane!" And It Was So Cute!