I Know Me, And I Know That

There's A Lot Of Work That Needs To Be Done, And There's A Difference Between Talking The Talk And Walking The Walk.

We Would Choreograph [ With Paul Dano] Before Each Scene [in Swiss Army Man] And Very Quickly Got To A Place Where We Could Improvise Physically In Scene And Know That The Other Person Would Respond In Character Appropriately. So That [dynamic] Was A Lot Of Fun.

I Meet Hundreds Of People, And I'm Not Going To Remember Them. But Every Single One Of Them Will Remember Their Interaction With Me.

I Want To Write And Direct, But I Don't Think If I Did It For 100 Years I Would Ever Come Close To Putting Something Out There That Gives A Feeling Of All-encompassing And Joyous.

My Job To Make Sure That Thing Is Kick-ass - Takes The Mold, Jumps On It, Throws Glitter All Over It, Smashes It, Kicks It Around, And Drops The Mic. If We Don't Do That, Then We Deserve Not To Have A Hit.