I Don't See Novels Ending With Any

I Love The Performance Of A Craft, Whether It Is Modest Or Mean-spirited, Yet I Walk Away When Discussions Of It Begin - As If One Should Ask A Gravedigger What Brand Of Shovel He Uses Or Whether He Prefers To Work At Noon Or In Moonlight. I Am Interested Only In The Care Taken, And Those Secret Rehearsals Behind It. Even If I Do Not Understand Fully What Is Taking Place.

She Moved From Being A Young Woman Into Having The Angular Look Of A Queen, Someone Who Has Made Her Face With Her Desire To Be A Certain Kind Of Person. He Still Likes That About Her. Her Smartness, The Fact That She Did Not Inherit That Look Or That Beauty, But It Was Something Searched For And That It Will Always Reflect A Present Stage Of Her Character.

You Can See That The Care He Took Defiling The Beauty He Had Forced In Them Was As Precise And Clean As His Good Hands Which At Night Had Developed The Negatives, Floating The Sheets In The Correct Acids And Watching The Faces And Breasts And Pubic Triangles And Sofas Emerge. The Making And Destroying Coming From The Same Source, Same Lust, Same Surgery His Brain Was Capable Of. (on New Orleans Photographer E. J. Bellocq)

We Die Containing A Richness Of Lovers And Tribes, Tastes We Have Swallowed, Bodies We Have Plunged Into And Swum Up As If Rivers Of Wisdom, Characters We Have Climbed Into As If Trees, Fears We Have Hidden In As If Caves. I Wish For All This To Be Marked On By Body When I Am Dead. I Believe In Such Cartography - To Be Marked By Nature, Not Just To Label Ourselves On A Map Like The Names Of Rich Men And Women On Buildings. We Are Communal Histories, Communal Books. We Are Not Owned Or Monogamous In Our Taste Or Experience.

Kirpal's Left Hand Swoops Down And Catches The Dropped Fork An Inch From The Floor And Gently Passes It Into The Fingers Of His Daughter, A Wrinkle At The Edge Of His Eyes Behind His Spectacles.