I Consider All My Films Experiments.

I Give The Spectator The Possibility Of Participating. The Audience Completes The Film By Thinking About It; Those Who Watch Must Not Be Just Consumers Ingesting Spoon-fed Images.

If I'm Reading A Book That Doesn't Leave Me With Questions, Moving Questions, That I Feel Confronted With, Then For Me It's A Waste Of Time. I Don't Want To Read A Book That Simply Confirms What I Already Know.

I'm Interested In Seeing Films That Confront Me With New Things, With Films That Make Me Question Myself, With Films That Help Me To Reflect On Subjects That I Hadn't Thought About Before, Films That Help Me Progress And Advance.

To Me, It's Far More Efficient To Mobilize The Imagination. It's Far More Efficient To Hear A Creaking Step, For Example, Than To See The Face Of A Monster, Which Usually Looks Ridiculous, And Where You Know That The Blood Is Ketchup.

Film Is 24 Lies Per Second At The Service Of Truth, Or At The Service Of The Attempt To Find The Truth.