I Came To Explore The Wreck.

The Impulse To Create Begins - Often Terribly And Fearfully - In A Tunnel Of Silence. Every Real Poem Is The Breaking Of An Existing Silence, And The First Question We Might Ask Any Poem Is, What Kind Of Voice Is Breaking Silence, And What Kind Of Silence Is Being Broken?

The Danger Lies In Forgetting What We Had. The Flow Between Generations Becomes A Trickle, Grandchildren Tape-recording Grandparents' Memories On Special Occasions Perhaps-no Casual Storytelling Jogged By Daily Life, There Being No Shared Daily Life What With Migrations, Exiles, Diasporas, Rendings, The Search For Work. Or There Is A Shared Daily Life Riddled With Holes Of Silence.

There Is The Falsely Mystical View Of Art That Assumes A Kind Of Supernatural Inspiration, A Possession By Universal Forces Unrelated To Questions Of Power And Privilege Or The Artist's Relation To Bread And Blood. In This View, The Channel Of Art Can Only Become Clogged And Misdirected By The Artist's Concern With Merely Temporary And Local Disturbances. The Song Is Higher Than The Struggle.

The Mother's Battle For Her Child With Sickness, With Poverty, With War, With All The Forces Of Exploitation And Callousness That Cheapen Human Life Needs To Become A Common Human Battle, Waged In Love And In The Passion For Survival.

The Word Revolution Itself Has Become Not Only A Dead Relic Of Leftism, But A Key To The Deadendedness Of Male Politics: The Revolution Of A Wheel Which Returns In The End To The Same Place; The Revolving Door Of A Politics Which Has Liberated Women Only To Use Them, And Only Within The Limits Of Male Tolerance.