Cities Are Made For Enemies To Destroy.

Then Little Writings And Recordings That Thankfully Continue To Come Up. I'm In This Kind Of Wonderful, Kind Of Awkward, Off-putting, And Strange Position Where There's Nothing I Want To Do More Than Continue To Make Music, But The Ways That I Do Things Are Not In Tune With How I Can Do Them Commercially.

It's Good When Someone Says, "would You Write A Song For This Purpose," Or "would You Record A Song For This Purpose," Or "would You Help Me Realize This Song," Again, For This Purpose.

To Me, Recordings Are Little Fourth-dimension Artifacts, Because They Already Are Representatives Of Past, Present, And Future, Just Inherently In Their Existence.

I Think That What Trips Up A Lot Of Great Musicians Is That They Become Involved With Too Many Things That Aren't Where Their Strengths Lie.

There's Nothing That Compares To Watching That Final Of Charles Mee’s 'the Glory Of The World' Play At Bam17 To 20 Minute Sequence In One Sitting. It Fills You With A Giddy Energy Watching That. Then, Being Gifted With The Silence That Follows...i've Never Had A Theatrical Experience Like That Before, I'm Sure.